Versão em Português

Virgilio Vasconcelos

Virgilio Vasconcelos' keywords: Perspectivism; Free Software; UFMG; Krita; Research; Donna Haraway; OpenToonz; Decolonial thinking; Diversity; Bernard Stiegler; Debian; Fedora; Animation; Digital Animation; GNU/Linux; Pierre Bourdieu; Gilbert Simondon; Rigging; Digital Arts; Jacques Derrida; Education; Remix; Re:Anima; Ailton Krenak; Copyleft; Art; Privacy; Democracy; Python; Technics; LUCA School of Arts; Ubuntu; Punk Rock; Noam Chomsky; Cosmotechnics; Michel Foucault; David Graeber; Open Access; Blender; Gilles Deleuze; Heterotopias; Paulo Freire; Re-existence.

About

I'm an Animation Professor at LUCA School of Arts, campus C-mine in Genk, Belgium. I teach at the Re:Anima Joint Master in Animation and I'm a senior researcher at the Inter-Actions Research Unit. My research interests include philosophy of Technics, power relations inscribed in and reinforced by technical objects, and decolonial perspectives in animation. Previously, I was an Animation Professor at Universidade Federal de Minas Gerais (UFMG), in Brazil. MFA and PhD by the Graduate Program in Arts at EBA/UFMG. I'm also a free software advocate, animator, rigger and I also like to code. You can see some of my works and know a bit more about me at:

ORCID LUCA School of Arts/KU Leuven LinkedIn YouTube



Blender Animation Book

I've written a book about Rigging and Animation in Blender for Packt Publishing. You can get the files here.

Old Blog

Yes, I had a blog. Haven't updated it since 2011. Anyway, if you need something from there I have kept backwards compatibility and you can read it below.

Planning, by Victor Navone

Every now and then I post something pointing to Victor Navone`s blog. =)

This time I suggest two of his posts, both talking about planning our shots:

  • first, his thumbnail gallery of drawings made for planning his shots on movies like Ratatouille and The Incredibles;
  • second, he says some words on his planning method, answering some questions made by animation students.
It's good to know about some of his methods on his daily routine at Pixar.
(0) Comments