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Virgilio Vasconcelos

Virgilio Vasconcelos' keywords: Digital Arts; Paulo Freire; Mark Fisher; Heterotopias; Punk Rock; Fredric Jameson; Free Software; Digital Animation; Blender; Democracy; Rigging; Artistic Research; Ubuntu; Gilles Deleuze; Jacques Derrida; Re:Anima; Diversity; Privacy; Ailton Krenak; Perspectivism; Re-existence; GNU/Linux; David Graeber; Pierre Bourdieu; Python; Krita; Technics; Decolonial thinking; Cosmotechnics; Copyleft; Open Access; AnĂ­bal Quijano; Bernard Stiegler; Debian; Education; Metamodernism; UFMG; Animation; Noam Chomsky; Gilbert Simondon; Michel Foucault; Donna Haraway; Remix; Fedora; LUCA School of Arts; Re-existence.

About

I'm an Animation Professor at LUCA School of Arts, campus C-mine in Genk, Belgium. I teach at the Re:Anima Joint Master in Animation and I'm a senior researcher at the Genk Research Unit, in the 'Critical reflections of and through animation' cluster. My research interests include philosophy of Technics, power relations inscribed in and reinforced by technical objects, and decolonial perspectives in animation. Previously, I was an Animation Professor at Universidade Federal de Minas Gerais (UFMG), in Brazil. MFA and PhD by the Graduate Program in Arts at EBA/UFMG. I'm also a free software advocate, animator, rigger and I also like to code. You can see some of my works and know a bit more about me at:

ORCID LUCA School of Arts/KU Leuven LinkedIn YouTube



Blender Animation Book

I've written a book about Rigging and Animation in Blender for Packt Publishing. You can get the files here.

Old Blog

Yes, I had a blog. Haven't updated it since 2011. Anyway, if you need something from there I have kept backwards compatibility and you can read it below.

Kung-fu Panda - Production Focus

Kung Fu Panda will take almost a month to have its premiere here in Brazil. I am really looking forward to it, that will open just after Wall-E in local theaters.

Fortunately there are things everyone can see no matter where you live, thanks to the internet, like this cool CG Society article on the production of what's being considered the DreamWorks masterpiece.

 

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