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Virgilio Vasconcelos

Virgilio Vasconcelos' keywords: Blender; Art; Decolonial thinking; Digital Animation; Paulo Freire; Free Software; Copyleft; Bernard Stiegler; Fedora; Ailton Krenak; Debian; Re:Anima; Democracy; Gilles Deleuze; Ubuntu; Education; OpenToonz; Technics; LUCA School of Arts; Animation; Michel Foucault; UFMG; Open Access; Pierre Bourdieu; Remix; Digital Arts; Python; Cosmotechnics; Donna Haraway; Perspectivism; Diversity; David Graeber; GNU/Linux; Punk Rock; Krita; Privacy; Noam Chomsky; Rigging; Jacques Derrida; Gilbert Simondon; Research; Heterotopias; Re-existence.

About

I'm an Animation Professor at LUCA School of Arts, campus C-mine in Genk, Belgium. I teach at the Re:Anima Joint Master in Animation and I'm a senior researcher at the Inter-Actions Research Unit. My research interests include philosophy of Technics, power relations inscribed in and reinforced by technical objects, and decolonial perspectives in animation. Previously, I was an Animation Professor at Universidade Federal de Minas Gerais (UFMG), in Brazil. MFA and PhD by the Graduate Program in Arts at EBA/UFMG. I'm also a free software advocate, animator, rigger and I also like to code. You can see some of my works and know a bit more about me at:

ORCID LUCA School of Arts/KU Leuven LinkedIn YouTube



Blender Animation Book

I've written a book about Rigging and Animation in Blender for Packt Publishing. You can get the files here.

Old Blog

Yes, I had a blog. Haven't updated it since 2011. Anyway, if you need something from there I have kept backwards compatibility and you can read it below.

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2008-Jan-10: Influences
Influences

Today I saw two posts on Cartoon Brew that made me think about the influences we have on our work.

The first one was about director Chris Sanders (Lilo & Stitch) making comic strips, while the second pointed to an interview of storyboard artist Enrico Casarosa (Pixar) given to GhibliWorld.

On the comments section in the post about Sanders, many readers pointed similarities between his strips and Bill Watterson's Calvin & Hobbes. I agree that the influence is there. After all, I think that the only ones who are not influenced by Watterson's work are the ones who doesn't know it at all! Actually, I think that these influences are among the good qualities of Sanders' comic strips.

Being influenced doesn't mean you are copying, and Sanders doesn't seem to be copying anyone. He had just absorbed what he considered to be good (not only in Watterson's work) and applied his personal touch in something I consider very promising.

In Casarosa's interview, it's very interesting how he talks about the influence of Miyasaki's work not only on his own production, but also in John Lasseter and Pete Docter ones.

I don't need to talk about how talented all those guys are. It's something that - along with their influences - makes possible the creation of great pieces of art: whether animated or not.

It's funny that this is the second post in a row that I feel the need  to point out to John Kricfalusi's blog, which has two cool articles about influences:

The importance of having a lot of influences and Influences won't help you without skill.

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